We asked Jonathan Bruun (DK) all about their experience as a type design intern at AllCaps. Jonathan Bruun introduces us to AllCaps (@allcapstype), a design studio focused on publishing typefaces, through his perspective and experiences as an intern. Jonathan has…
A look inside Mucho‘s bold new typography-led identity for Big C Charters. Offering hands-on fishing trips and excursions, Big C Charters is the premier charters service in the San Francisco Bay Area. Founded by 6’8″ former professional basketball player Christian…
Discussing everything from NFTs to the appeal of the chrome aesthetic, David F. Costa, founder of Disruptive magazine, interviews the creative behind @chrometype, a platform for the 3D type & chrome aesthetic obsessed. Joey, also known as Modern Revolt, is…
Complete with Instagram Sans, a custom typeface by Colophon Foundry, the new brand identity aligns with Instagram’s future—giving movement, inclusivity and a new purpose. Inspired by their global community, Instagram from Meta’s brand, product and creative teams set out to…
Doménico Barreto is an independent designer based Lima, Perú, known for blending his passion for typography with cinema and music, interpreting the aesthetics of visual cultures that inspire him and reworking his findings into type designs. Leading him to stay away…
Tasked with creating a new visual identity for THIS IS SHORT, Uniforma (@uniformastudio) went with bold font pairings and kinetic typography. They reveal their process and the choices they made throughout the identity’s design. Uniforma is a visual communication studio…
I take a look inside Dog Ears, a new experimental typography publication by Grammy-nominated independent design studio Public-Library. Announced on the occasion of Public-Library‘s tenth anniversary, the studio’s latest publication, Dog Ears, arrives as a collection of iterative design explorations.…
With their new brand identity for Stompy, a personalised wine subscription service, &Walsh aim to lift the lid on the ‘stuffy’ wine world. The indentity, complete with custom type, aims to challenge the ‘stuffy’ nature of the wine buying experience…
Blaze Type has just launched the Incarnate Collection—a new font-studded product range. We take a closer look. The new collection features a range of stunning limited edition pieces, embellished with gems from Blaze’s font collection. Including the SFTB Shirt, BLZT…
The 2022 Type Trends Lookbook has landed. Take a look at the trends making waves this year and beyond… This year’s Type Trends Lookbook is fresh off the press and filled with typographic inspiration. Providing an annual review of typographic…
We take a look at Making Sense of Dyslexia – an innovative typographic project that aims to educate people on dyslexia and how it is experienced. Whilst working for the branding and advertising agency BBDO, Mohamed Samir—a multidisciplinary designer whose…
We speak with Tom, Creative Director at the incredible Wolff Olins, about how to use typography to tell stories with meaning. ZLM: Hey, Tom! Tell us about yourself 🙂 T: Hello, I’m Tom—Creative Director at Wolff Olins (@wolffolins). I’ve spent…
Mélina Poiré utilises kinetic typography in an incredible festival trailer for a Nantes-based motion graphics festival. When the folks at Motion Motion Festival (@motionmotionfestival), a Nantes-based motion graphics festival, were looking for a creative to produce a festival trailer for…
Counter-Print‘s latest book explores graphic design & identity work where typography takes the lead. We got a sneak preview. The latest book from Counter-Print (@counterprintbooks), an online bookshop and indie publisher centred on beautiful art and design books, has just…
Despite the perception of abundance we often operate with under modern consumerism, it is well known that many of our resources are becoming less and less available. Resulting in a savage race for said resources – from construction materials, paper and…
