I take a look inside Dog Ears, a new experimental typography publication by Grammy-nominated independent design studio Public-Library. Announced on the occasion of Public-Library‘s tenth anniversary, the studio’s latest publication, Dog Ears, arrives as a collection of iterative design explorations.…
With their new brand identity for Stompy, a personalised wine subscription service, &Walsh aim to lift the lid on the ‘stuffy’ wine world. The indentity, complete with custom type, aims to challenge the ‘stuffy’ nature of the wine buying experience…
We take a look at Making Sense of Dyslexia – an innovative typographic project that aims to educate people on dyslexia and how it is experienced. Whilst working for the branding and advertising agency BBDO, Mohamed Samir—a multidisciplinary designer whose…
Counter-Print‘s latest book explores graphic design & identity work where typography takes the lead. We got a sneak preview. The latest book from Counter-Print (@counterprintbooks), an online bookshop and indie publisher centred on beautiful art and design books, has just…
The first edition of Digital Drops—a project headed by ourselves at TYPE01 with the help of an evergrowing pool of creative typographic talent—is here. Meet DD x prettycoolstrangers. As a brand, we love championing typographic creativity in all its forms;…
For multi-award winning Designer Taurai Valerie Mtake, investigating the potential of design in contemporary African visual culture has been an area of interest for some time. In an ongoing project surrounding the revival of Nguni Symbol Writing, she examines Indigenous…
Approached by Michele Salati at branding agency Ogilvy Hong Kong, Daniel Brokstad was tasked with creating a series of multidisciplinary type-based posters for the new WPP Campus – Foundry 852. The project eventually led him to fuse type with everything…
Dedicated to the remembrance of his late grandmother, Taiwan-based freelance Graphic Designer Shun-Zhi Yang (楊順志) has created a project entitled The Buddhist Sutra Reconstruction, which merges traditionally inspired scriptures with performance-based elements to reimagine ancient Chinese typographic practices and spiritual elements…
In recent years Augmented Reality (AR) has made its way into our everyday – albeit in small, relatively ubiquitous ways (think Snapchat/Instagram filters). However, its presence in graphic design is still relatively quiet. Although many creatives are integrating the technology…
Dana Chan (@canofdanchan) is a queer non-binary disabled East Asian femme. Their creative work is delivered through bright colours and vibrant shapes which collect to create, as they say, “artistic commentary on being anxious, disabled and constantly filled with existential…
The dancing glyphs and glitchy atmospheres of Ting-An Ho’s identity for ‘Oops! the fonts went wrong’, a typeface exhibition held at Taiwan Design Museum in Taipei earlier this year, are decidedly jarring. As the exhibition itself demands, the identity confronts…
In art, writing has its place as something that can bring a sense of universal narrative. Whereas the language or writing system might be quite specific, its universality comes from firstly, the visual language of how we ‘dress up’ writing…
Identifying as an anarchist and an anticapitalist, Kevin Yuen Kit Lo is the founder and creative director of LOKI; a small multidisciplinary design studio based in Montreal The studio, he tells us, “works at the intersections of graphic design, cultural…
When we first encountered Gabrielle Widjaja’s (@gentle.oriental) “We Are Still Here” project, a zine built on crowdsourced content from Asian and Asian diasporic communities, we were blown away. Intended to offer a moment of pause, a balm, and a sense…
Yai Salinas‘ (@yaisalinas) latest font, Cleo, is a mixture of Vaporwave aesthetics and modern and retro letterforms. A microgenre of electronic music, Vaporwave emerged as an internet-born aesthetic subculture in the early 2010s, and has since built itself a tongue-in-cheek,…