In the context of the global upheaval brought on by the pandemic, Zetafonts have been taking a sharp look at the movements of (typo)graphic trends over the last year. In search of ways to ensure that our visual culture remains…
Operating through a set of axes that allow users to fluidly and dynamically slide between weights, variable fonts have been around for longer than you might expect. Developed in their earliest form between Apple and Adobe in the 1990s, variable…
In art, writing has its place as something that can bring a sense of universal narrative. Whereas the language or writing system might be quite specific, its universality comes from firstly, the visual language of how we ‘dress up’ writing…
Identifying as an anarchist and an anticapitalist, Kevin Yuen Kit Lo is the founder and creative director of LOKI; a small multidisciplinary design studio based in Montreal The studio, he tells us, “works at the intersections of graphic design, cultural…
Since its beginnings in 2016, Type.Today has been hosting a small collection of contemporary typefaces with high-quality Cyrillic letters which “reflect the visual language of the present and the near future.” Publishing fonts created by designers and studios globally, although…
A type designer, academic and educator, David Březina has spent the majority of the last ten years running his type foundry, Rosetta, which focuses on producing multi-script typefaces. Having recently finished his PhD on visual similarity and coherence in typeface…
When we first encountered Gabrielle Widjaja’s (@gentle.oriental) “We Are Still Here” project, a zine built on crowdsourced content from Asian and Asian diasporic communities, we were blown away. Intended to offer a moment of pause, a balm, and a sense…
The Museum of Contemporary Art Cleveland (moCa)’s new visual identity emerged, broadly, as a response to modern art’s demand to be viewed from multiple perspectives. Through concepts developed by Michael Aberman, the graphic designer behind the identity, Camelot Typefaces were…
With chiseled finishes inherited from calligraphy, Morillas Sans is a new, contemporary yet timeless typeface that seeks to unite tradition and innovation in the same typographic skeleton. With extended proportions and open counterforms, the typeface reflects in its shapes the…
Going freelance sounds dreamy to some, terrifying to others. As a freelance type designer, being able to carve out your own schedule, have more control over the projects you take on, decide on your own prices and put into place…
With fonts laying somewhere between creative assets, artefacts of intellectual property, and intangible clusters of data, a huge challenge within the design industry now is trying to figure out a font buying system that works for everyone. That is, one…
Yai Salinas‘ (@yaisalinas) latest font, Cleo, is a mixture of Vaporwave aesthetics and modern and retro letterforms. A microgenre of electronic music, Vaporwave emerged as an internet-born aesthetic subculture in the early 2010s, and has since built itself a tongue-in-cheek,…
We’ve seen some staggering work from independent type designers over the last year, so we thought it about time for a refresh on our last roundup. So here it is: our top 30 independent type designers you need on your…
Freshly dropped by Grilli Type earlier today, GT Maru is a bold, explorative, expansive new typeface release that strikes the perfect chord between joyfulness and functionality. The new typeface arrives with five weights in both proportional and monospaced subfamilies—all accompanied…
Whether you’re looking to dip your toes into calligraphy, polish your existing skills, or simply pick up a new hobby, these calligraphy-based workshops and events are a great place to start. From learning about the history of the artform to…
