Category Graphic Design & Typography

Why Injecting An Event’s Visual Identity With Motion Is So Powerful With Paul Voggenreiter

The integration of motion and kinetic typography into the world of branding and visual identity creation continues to be ever-growing in popularity. Particularly when creating an identity for an event, it seems motion is becoming a must for bringing that event…

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‘I wanted to represent a breadth of ideas – not a cultural monolith’; Greg Bunbury on Curating the Black Outdoor Art Project and Amplifying Voices for Cultural Change

Greg Bunbury (@gregbunbury) is a graphic designer, creative consultant, diversity & inclusion consultant and podcaster, based in London. Most recently, in response to events of police brutality and the surge of momentum surrounding the Black Lives Matter movement, Greg’s work…

Read More..‘I wanted to represent a breadth of ideas – not a cultural monolith’; Greg Bunbury on Curating the Black Outdoor Art Project and Amplifying Voices for Cultural Change
Branding Voices + Typographic Identities

The Brand Identity On Exciting New Branding Voices + Typographic Identities

The Brand Identity (@thebrandidentity) are a platform committed to supporting and empowering graphic design communities. Regularly publishing articles, deep-diving into design news, creating incredible brand-based content, designing their own products and collaborating with designers and brands, The Brand Identity have…

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Typographic Serendipity and Embracing the Unexpected with Leopoldo Leal

‘A project with only technical requirements is soulless’, says Graphic Designer and Professor, Leopoldo Leal (@leopoldoleal). ‘I like to create typographies from stories that connect with images and concepts’. Describing his creative process as ‘full of serendipity’ , Leopoldo holds…

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Digitising Old Slavonic Typography and Letter Shapes in New Contexts with Ilya Bazhanov

Ilya Bazhanov (@staticolors) is an artist, graphic designer and member of Umprum Type (@umprumtype). His work is heavily influenced by old Slavonic typefaces and specimens as well as industrial Slavic cityscapes, history and culture. FUD Grotesk is constructed with a…

Read More..Digitising Old Slavonic Typography and Letter Shapes in New Contexts with Ilya Bazhanov