It has always been part of PP‘s ethos to empower the beautiful design community. This Font Starter Pack is one more way they’re doing just that. “Every graphic designer, aspiring or seasoned, needs great tools,” says Pangram Pangram‘s founder, Mathieu…
For Type-01, Production Type’s Jean-Baptiste Levée digs out the best gems of his foundry’s work library…Spoiler: it’s not your usual collection of grimoires. The hypercenter of Paris hosts Production Type, one of France’s most prolific type foundries. In this article,…
We’re honoured to welcome the wonderful Production Type for a guest post today. They offer their expert eyes to reveal 12 top type designers you need on your radar in 2022… Some new blood, some seasoned crafters: here is a…
Just in from Porto-based type foundry Nova Type, Loretta is a beautiful new body text typeface drenched in contemporary elegance. Well versed in type design before creating Nova Type Foundry in 2018, Founder Joana Correia set out to experiment with…
Designing new type systems that are visually harmonised across diverse language contexts is no small feat. The aesthetics of the Latin script, for example, may not easily be translated to Arabic or Hebrew environments. In this way, the concept of…
It can be hard sometimes to source simple, actionable tips about type design, especially as a young type designer when there’s so much to learn. Today, we’re delighted to welcome CoType Foundry founder Mark Bloom, who will be sharing 5…
Gradient is a small independent type foundry based in Bergen, Norway, taking the stance that the deconstruction of traditional typography combined with various type experiments can re-imagine the future of contemporary typography. Their latest type offering, Okay! Serif, plays on…
Anyone who’s ever had an experience in the font buying business will probably be able to tell you that it isn’t all that straight forward. Despite fonts being crucial in design every day, the whole process of purchasing them can…
In the context of the global upheaval brought on by the pandemic, Zetafonts have been taking a sharp look at the movements of (typo)graphic trends over the last year. In search of ways to ensure that our visual culture remains…
Since its beginnings in 2016, Type.Today has been hosting a small collection of contemporary typefaces with high-quality Cyrillic letters which “reflect the visual language of the present and the near future.” Publishing fonts created by designers and studios globally, although…
The Museum of Contemporary Art Cleveland (moCa)’s new visual identity emerged, broadly, as a response to modern art’s demand to be viewed from multiple perspectives. Through concepts developed by Michael Aberman, the graphic designer behind the identity, Camelot Typefaces were…
With fonts laying somewhere between creative assets, artefacts of intellectual property, and intangible clusters of data, a huge challenge within the design industry now is trying to figure out a font buying system that works for everyone. That is, one…
We’ve seen some staggering work from independent type designers over the last year, so we thought it about time for a refresh on our last roundup. So here it is: our top 30 independent type designers you need on your…
We bring you an artifact of our fast-moving, motion-filled kinetic typography culture, designed to transform the way you engage with printed matter. Focusing on kinetic (moving) type, Issue 02 speculates on the motion-filled design world of the present (and future),…
Matthieu Salvaggio founded Blaze Type (BLZT) in 2016, when he says there weren’t as many young foundries doing what they’re doing now, and that in the world of font licensing and selling, he wasn’t aware of many setups aligning with…
